Trolling America

Call me a conspiracy-theorist, but if I wanted to provoke a 24-hour outrage like today’s #IStandwithAhmed global orgy of virtue-signalling I could do no better than this:

Ahmed’s clock 
Suitcase bomb
This has several elements of media manipulation. The innocent child, the “racist” authorities overreacting out of irrational “phobia” in, of all places, Texas (!), the immigrant angle, the police involvement. What you wouldn’t know if you were just following this thing on Twitter or blogs (as so many do) is that the kid wasn’t accused of carrying a bomb to school, but of playing a hoax, by carrying the understandably suspicious looking contraption above to school. Call me a jerk, but I want to know if this kid’s parents are involved with CAIR.
Update: I posted this before I saw this:

His father, Mohamed ElHassan Mohamed, is a fascinating figure in his own right. He’s a Sudanese immigrant who has twice declared himself a presidential candidate in Sudan. When Florida pastor Terry Jones put the Quran on trial and later burned it in 2012, Mohamed was the Muslim holy book’s defense attorney…

Curiouser and curiouser. Or, rather, less and less curious.

The Shame of the Tame

I’ve been meaning to post here once per day at least, but with the time I had today I found myself meandering the web, posting to Twitter and other meaningless diversions with which I seem to be so smitten; so I’m getting cheesy and expanding on a comment I left at Sailer’s here. (The internal struggle against my inborn laziness–the Dale curse–is eternal. Oh what I could have done with my life if I was only more energetic, ambitious, intelligent, good-looking, brave, tough, strong, personable and a few other small things. This close, man!)

Anyway. Sailer:

What’s going on in Europe is a Flash Mob. In the Age of the Smartphone, a huge crowd can be assembled at much lower information transmission cost than just a decade ago. Chancellor Merkel assumed she could still break the EU rules to make a modest humanitarian gesture and get lots of thumbs up from the global media without setting off The Camp of Saints.
But that’s not how things work these days.
Here’s poor Ms. Merkel’s vision of a Flash Mob:

But here’s a different, more relevant kind of Flash Mob: 

Me:

I’ve seen this juxtaposing of white and black flash mobs on YouTube before. The “white v black flash mobs” video below I find downright heartbreaking: a remarkable and beautiful performance of the “Ode to Joy” played on the street in a Spanish city, following a montage of the usual black mayhem over a fitting hip hop track of a gangsta un-apologetically and savagely proclaiming himself a “nigger”, proud of the worst stereotypes that is said to entail. That decent blacks cannot, will not, at least any longer, denounce much less do anything about gangsta culture, I find almost as outrageous as the behavior itself. It’s as if it’s all they have, in the end, and they know it; it’s commodified in music and culture, and converted to power in politics through the demagogy of “white privilege”. Why would they, after all, want to go back to the Bad Old Days where black inferiority was assumed? Because of the bloodshed on the streets? Because of the degradation of their women, and ours? Because black dysfunction threatens to consume us? Because of the decadence infecting us all? Ha! Small price, apparently, to pay for the status quo they, and their white enablers, so jealously protect. Arguing for a white version of order and society is now a sucker’s game.

Black culture is winning, hands down. It’s only if and when the protective embrace of a still, somehow, functioning Western system finally gives way that the whole game is up. Witness the behavior of Europeans in the face of the “refugee crisis” to see that there is an assumption that it will never give way, no matter how much strain we put on it. They’re probably right: it isn’t that something has to give, necessarily; maybe it’s just degradation and adaptation until we no longer recognize what we had, and no one will miss it.

Honesty is not possible–no people will accept they’re “inferior”–so reconciliation is not possible. But then, “superior” and “inferior” are social constructs–if you don’t care for enlightenment, “progress”, Western notions of order. Indeed; the whole idea that blacks are shortchanged by living in the West is utterly dependent on discounting the value of these things. What we’re really experiencing is the competition between competing models of society, one black, one white.

I don’t expect people to hate blacks because of this behavior–myself I’ve gone beyond fear and loathing to a blank, dumbfounded state; it simply Does Not Compute–but why, how, can we still hate ourselves, after such knowledge? How is it so many whites can be exposed to this disparity yet still profess things to be their opposite? The only verdict I can arrive at is more shameful than the convention that says white racism holds back black achievement: we are a weak people, over-awed and surrendering to the superiority–yes, that word!–of a stronger, more vigorous folk. We only try to copy, or appease. But then I’m wrong; there are people that willingly accept their “inferiority”: white people. Individual whites demonstrate their personal moral superiority by proclaiming their group moral inferiority. Whites are the best of people; whites are the worst of people. Whites are a fucked up people.

Having seen this flash mob comparison (or a similar) video before I found myself fantasizing grimly about one of these white flash mobs getting crashed by one of the black versions. Say, one of these food-court choirs proceeding along and all of a sudden here comes stomping through the middle one of those gleefully violent wilding packs. A less gruesome Cleon Peterson work come to life. This came to mind when I saw a European crowd serenading a group of “refugees”, some of whom appeared dumbfounded (what must they think?). It makes you want to cry. Shame on us.

Here’s the video I mentioned above:

And Cleon Peterson’s grim satirical vision of “oppressed”,
Orc-like humanoids taking their revenge on decadent whites:

The Struggle

There is a War

Just let me die on the streets fighting this thing, whatever it is; let me reconcile and redeem this squandered life in an honorable death. Alas, even that much, too little, too late, I will not manage, I know. Cheerio!

Justice isn’t Funny and Funny isn’t Just

Steven Colbert’s Late Show is only two shaky episodes old, but the Social Justice™ scribes are, unwisely, not waiting for it to take off before trying to clip its wings. After regurgitating an old complaint about him employing an “all white” writing staff of seventeen men and two women (actually up from one, which is of course a hundred-percent increase! someone alert Nate Silver!), this Atlantic writer is already worried for the condition of the program’s soul:

But then. A writing staff is, in many ways, the soul of a show. The 19 people Colbert selected for The Late Show will decide much about how his influential platform will do its influencing. And Colbert himself, furthermore, is someone who—based on interviews he’s given as himself rather than the characters he has played on The Colbert Report and, now, The Late Show—seems to think deeply about the structures and systems that make the world what it is. He seems to understand, in a way many comedians don’t, that even the most innocuous kinds of “entertainment” play a role in defining culture.
And Colbert himself, furthermore, is someone who—based on interviews he’s given as himself rather than the characters he has played seems to think deeply [read: correctly] about the structures and systems that make the world what it is. He seems to understand, in a way many comedians don’t, that even the most innocuous kinds of “entertainment” play a role in defining culture.

What progressives don’t seem to understand is that these white, overwhelmingly male (and Jewish, but who’s counting?) writers are doing advocacy on behalf of “women and minorities” that they, and their humorless advocates in “serious” journalism are incapable of doing for themselves. If these shows were to yield completely, and make their comedy staffs resemble Bennetton ads, they wouldn’t survive to then to take their (dubious) role “defining culture” for the rest of us rubes. Unless of course they adopt the corporate model many of us who work for a living know: have the white guys do the heavy lifting and place the diversity hires in harmless, window-dressing positions. This is hard to do when your job is to sit in a room and compete to see who has the best ideas. Indeed, putting a token-hire discrimination-lawsuit-in-waiting in that humbling environment has the potential to be much more than the standard cost of doing business it is for corporate America. Colbert knows, even if he won’t allow himself to learn from it, that his writing staff, like Tom Wolfe’s protagonist in Bonfire of the Vanities says of the similarly non-diverse bond room at the fictional Pierce & Pierce, is “no place for empty gestures.”

This is leaving aside the ethical and artistic sin for which Colbert is so often praised: using art and entertainment (inexplicably placed in quotes above–what is she saying with that?) as a means of promoting political and social goals, rather than as a means of understanding politics and society. Art as factional propaganda rather than critical revelation. If Colbert is guilty of anything, it is this.

But being a successful promoter of the Narrative, fittingly enough, comes with the privilege of pointing out the silliness of the Narrative, as Colbert demonstrated when accepting an Emmy for his Comedy Central show (with, I imagine, mostly the same staff he’s taken to late night), by thanking a writing staff composed of “those guys, and one woman” and saying “I’m sorry for that, for some reason.”

 

Still, when these favored few show rare glimpses of awareness, it never seems to make it into their work in any meaningful way. A comedy show is too valuable for the symbolic gesture of token-hiring, but it’s also, in this case, too valuable to point out the absurdity of token hiring.

But what strikes me about this latest teapot tempest is its premature nature. The SJW modus operandi (whether Justice’s zealous auxiliaries recognize it or not) is to wait until a thing succeeds, then to sweep in and demand it be more “representative” (and to make the absurd argument that it needs to do this to succeed). This holds true across the professional and cultural spectrum, for various manufactured crises, from success in STEM fields to the military to comedy. The less representative a field is, the more potential it holds for plunder by diversity. These are tremendous growth opportunities, vast, untilled fields, for a political movement that has become a parasitic industry.

Perhaps they see the same pattern the rest of us are seeing, the other side of the counterfeit “inclusion” coin: it’s not that white guys are hogging up all the jobs and influence, it’s that non-whites and women are not contributing their fair share–and the white guys are either too busy doing to notice or too polite to mention it.

Western Values are Production Values

Steve Sailer has pointed out this same young (or “military age”) fellow toting about a picture of Angela Merkel like some sort of Byzantine icon of Jesus (Ms Merkel achieves secular sainthood) has now managed to appear not once, not twice, but three times in news reports about the ongoing refugee invasion of Europe:

“That’s good, Dahood, but less the cheerful shopper, more the grateful pilgrim, like we discussed…”

“Okay, okay, but the light is all wrong…”


“Yes! The gesture is genius! That’s why you’re a star! Wrap and set up the next shot.”


We’ve seen this sort of thing before, in another case of the political and media elites coming together to sell the public on a desired policy, as commenter JohnnyWalker123 points out in the Sailer comment thread:

I remember back when the Serbians were supposedly ethnically cleansing the Kosovars in 1999, the television channels and papers kept showing up the same image of a refugee woman over and over again. It was bizarre how often she kept appearing. So much so that someone mentioned it on one of the major cable networks.

The eliciting of emotion to manufacture consent in this way was parodied brilliantly back in 1997 in Barry Levinson’s film about a political operative teaming with a Hollywood producer to create a fake war with Albania to distract from a scandal involving the president and an underage girl, Wag the Dog:

 

 In the film Woody Harrelson’s Private Schumann is actually a dangerous convict from a military prison:

Likewise, any misfits who get through will be fine as long as we keep them on their meds (weed, alcohol and pussy, if my observation of Portland’s own military age Muslims is any good) and don’t provoke them.
All this production is missing now are the product placements.

“Kirsten, we’ll add the racist mob later of course, just give us some sort of reaction to that and hold the chips a little higher…”

…imagine a Chu stamping on a human face, forever…

“The enemy at last in view, huge and hateful, all disguise cast off…”

It’s forbidden to speak of it in such terms, but the (hopefully) premature triumphalism of non-whites regarding the (hopefully not) inevitable demographic damnation of white America bears all the marks of betrayal.

Not even the most fervently liberal white (excluding the Alinsky-ite radicals, who really gave us fair warning) of fifty years ago would have thought, much less said, that the success of the unprecedented opening up of American society and politics to minority groups did not entail–indeed, depend on–a concomitant effort on the part of those groups to live up to their end of the bargain–to not destroy this wonderful system we had built. We’ve let them into our house and now they’re setting it on fire.

Desperate Measures

To explain the odd, old posts below, I’m editing and republishing old stuff in a desperate attempt to unblock myself. I’ve been trying to get back in the groove for months, only able to occasionally blurt out something, writhing inwardly as the world churns on in fascinating horror. Maybe I’m just overwhelmed. It’s probably that I don’t really have that much to say, and I don’t like repeating myself. Anyway, there’s the explanation that wasn’t requested by a reader who isn’t there.

Flashback in the Pan

Dec. 27, 2006

The ferment forms eyes, which turn upon the ferment, in wonder.

I am rising into the atmosphere, looking down upon the earth. Time is accelerating, the earth spinning so fast I can no longer make out its surface. Higher and higher I go into outer space. Momentary flashing irregular pauses reveal successive cycles of decline and rebirth below: ice ages, droughts, floods.
Civilizations are rising and falling, overtaking one another, each building out toward the heavens before falling back to earth to be reclaimed by the soil and buried beneath the crude beginnings of its successor. These strobe-beats are coming so fast now that they resemble an old film. I try to reach back toward the earth, as if to capture it in my grasp; it is only then I realize I have no body.

The sun is dimming, turning red; the earth is cold, inert. All is a flash of blinding, platinum light, searing the eyes, as the dying sun explodes. The light recedes, leaving behind the earth, now a ball of flame trailing the phantom current of the blast. The rate of time’s increase becomes unbearable; I feel it taking me apart, cell by cell, atom by atom. The earth is now a brilliant, orange-red ember glowing in an onyx sea dappled with pin-pricks of starlight. Already it is dimming, fading in concert with my own dissipation: body, sentience, memory, identity, all now indistinguishable as they pass into dust.

The ferment becomes aware, becomes self-aware, seeks to save itself through flight, succumbs and is submerged again in dissolution.
Our lives are futile escape attempts.

Saturday Sermon

No Exit 
(originally published on Dec 11, 2007)

Now that all the groups have disappeared, and every tribe has dispersed, we know ourselves as isolated but similar to each other, and we have lost the desire to unite.
The Possibility of an Island, Michel Houellebecq

Reality is the only word in the English language that should always come in quotes.
—anonymous

Is that you, John Wayne? Is this me?
—“Cowboy,” The Short Timers, Gustav Hasford

Oh the things you’ll see! Oh the Places You’ll Go!
—Dr. Seuss

We arrived at that place, finally. That imagined place where dreams were made real. Dreams of incomprehensible wonder revealing new, miraculous dimensions of imagination. The dreams held us in perpetual, childlike awe. But there we also found nightmares, nightmares we ourselves had released with the dreams. Nightmares at once unimaginable and familiar.

Once released the dreams and nightmares grew beyond our control. They merged and blended, endlessly recombining to create grotesque hybrids, spawning deformed children; all the while growing in number and mass. The sacred and the profane bled into one another until they became one. The sum of every dream became a communal dreamworld, the product of every mind and the product of no single mind.

Art was separated from artist. Meaning was being made meaningless. The people no longer controlled their imagination; it controlled them. The collective consciousness eroded and crowded out the individual. Privacy and solitude were becoming relics of the past. The people were becoming one unindividuated mass, like the inescapable dreamworld they beheld. Yet they were isolated from one another and alienated from the whole.

Every desire, every impulse, every fear and conceit, all vanity, was released to collect in an unintelligible mass overhead, lowering down upon them as it grew. All eyes turned upward, first in wonder and then in despair. Some warned that the dreamworld was displacing the real. But it was no use; there was no returning, and the authorless dreams and nightmares grew and combined as one, crowding out the sky, like a great, gathering storm.

Reality has competition. The virtual and the representational are gaining prominence in the individual and collective psyche, cutting into reality’s market share. “Virtual” reality has even gained practical value. Everything that doesn’t require direct human contact is gradually, inevitably, migrating away from it; economic utility alone ensures this. Engagement with one’s fellows is increasingly unnecessary, and increasingly superfluous. It is now possible for one to survive within and even contribute to society without physically engaging it. For each one of us the necessity of human contact is diminishing. Human interaction is being rendered unnecessary

This fundamental shift is transpiring in a historical blink of the eye–within the span of a single lifetime. The experience of our youth is already antiquated; the world our children will pass on, unimaginable. We are on a path that seems predetermined to end with—or merely pass through—the manipulation of perception at the synaptic level, where experience lives. It is all but certain that we will eventually master the interface between perception and reality. We are not cutting out reality but cutting it off, stranding it. We are not “playing God”, but displacing him. Reality is being made malleable, becoming a mere “social construct.” But “reality” and “nature” are not the same thing. This we forget. Even as reality is coming apart at the seams, nature remains, utterly unchanged and unfazed, as indifferent as ever.

In the future it may come to pass that the individual will have less need for sociality. Evolutionary pressures for it may already be easing. Technology and human vanity combine to ensure that procreation itself will inevitably become a commercialized, streamlined, efficient process, with conception and gestation taking place in vitro and managed by professionals customizing their product for a clientele ordered by wealth; a hierarchy of reproduction intensifying human inequality and its attendant social stratification. Today’s already disingenuous prohibition against eugenics doesn’t stand a chance; it will eventually become a curiosity, if it is to be remembered at all. As for sex, romance and love; their connection to procreation is all but severed; they are now primarily recreational. Family as we know it will pass into history, but the struggle for genetic predominance will continue. It may become a rout as some enjoy unlimited access, and others are shut out entirely.

There is no guarantee that in the future the individual will not select, and be selected for, solitariness. As it is, a growing percentage of the populace is disengaged from and irrelevant to the politics and governance of society. As the average person’s personal liberty grows in the absence of any authority over it, such as by church or community, indeed, as personal liberty becomes the highest virtue, his political autonomy and influence lessens, and he is increasingly irrelevant to a polity he finds confusing, opaque, and unresponsive.

The common man concedes influence in exchange for being left alone; he can count not being pressed into the service of defending the nation or contributing to its welfare or governance beyond paying taxes. He enjoys unprecedented personal liberty and unprecedented social irrelevance. He is left to his amusements; lurid, hyper-lucid and hyper-stimulating (“more real than real”)—sensually and morally deadening. Over the horizon somewhere another class, increasingly alien, works the levers of society and gathers privilege unto itself.

Culture today still retains its partly shamanistic roots—imposing the necessary illusion of order on a natural world fundamentally incomprehensible due to its sheer size and totality; that the human heart can be cordoned off from nature is an ancient dream we still pursue. This fundamental religious belief is what made civilization possible. Absolute truth had to be declared and established before it could be determined (and before we could set out on the path to where we now enjoy the conceit of declaring it nonexisent). Society had to drop anchor somewhere, anywhere, to establish an immutable reference point, to free itself from its primordial drift. But still it is an illusion, and as such it could not last. The illusion has been exposed; we are cut adrift once more.

For the ancients it was the indecipherable chaos of the capricious elements upon which a semblance of order had to be overlaid; a mythology of cause and effect had to be created, and eventually the gods were born. Scientific revelation, in laying bare the patterns underlying the confusion and demystifying the sacred mysteries of sky and stars, incidentally exposed and killed the gods. But nature’s indifference and caprice still haunt us. New mythologies are hastily erected in the form of sociological conceits: ideology, philosophy, social theory and criticism. But they are ad hoc, cobbled together; they fall as rapidly as we put them up. Mystery is no longer the overriding feature of the physical world. Now it is the confusion of a species whose awareness has outstripped its evolutionary pace—that has outrun nature but cannot overcome it. We are still uncovering patterns, still killing gods.

Nature means, literally, everything. Out of necessity we create false layers of remove between ourselves and nature; arbitrary, imaginary divides. But, as with all human artifice, their erosion begins before they are even finished, before they come into being. Nature works upon us even through the very barriers we erect. The clock is always ticking. Human convention is no less a product of nature than anything else, and in nature there is no such thing as permanence. Nature has time we don’t. Literally, all the time in the world. Nature is time. Flux is its only permanent feature.

Meanwhile, we have grown bored with merely manipulating our physical environment. The pace of change has made a mockery of permanence, so we mock and deride the social conventions attempting to preserve a semblance of it, otherwise known as community, habitually. This exposes a lack of confidence. Of faith. Paranoia is imprinted in our genetic code; we sense there’s something else out there. We attempt to give shape and form to this vague fear.

What should be the ultimate practical concern, the physical environment, takes on a religious, millenarian air; mainstream environmentalism prophesies catastrophic wrath to be visited upon us for our sins if we do not admonish ourselves and atone. Alarmed at our very real and apparently boundless hubris, we fashion myths of a vengeful nature wreaking havoc on us and reclaiming the land.

Global warming and AIDS have both become political and social movements predicated on a mythology of hubris and social injustice bringing about catastrophe. But beneath this lurks nothing so much as a profound lack of confidence, not entirely misplaced perhaps, in the ultimate wisdom of human society. Beyond hardcore political activism, the unacknowledged subtext of AIDS as a social phenomenon is the hope, now revealed as hopeless, that the disease would, finally, chasten humanity to temper its headlong descent into sexual immorality and chaos. Remember when “AIDS changed everything”?
Likewise global warming is being invested with the hope that it will spur a revolution in the production of energy, just in time to head off the next global conflict and make a Third World as rich in resources as it is in hostility irrelevant.

In the end, catastrophe mythology is not, as it appears at first glance, misanthropic conceit, but collective vainglory. We give ourselves too much credit. Nature will indeed reclaim the dominion it never really relinquished, but it will have nothing to do with us. We are not even bit players in nature’s tragicomedy, but mere scenery. It is we that we need to keep our eyes on.

Violence permeates the culture, but the reality of daily life for the vast majority is excruciatingly dull in comparison to the alternate reality of cinema and video games. For sensational appeal, it simply cannot compete. The innate aggression and paranoia of the average man is increasingly aroused in inverse proportion to its decreasing necessity.

We have not conquered but insulated ourselves from the physical world, and have begun the logical next step, crafting an alternate reality—a reality manipulable at the individual level. Meanwhile nature still inhabits this false idyll, untold patterns unfolding still. We delude ourselves that nature has been marginalized, finally made small and comprehensible, but we can no more escape her than we can escape ourselves.

In a culture with no center, taken over entirely by commerce, prominence of place is awarded entirely by mass appeal. The vulgar shares space with the formerly sacrosanct. The common cannot be ennobled by its elevation, but its opposite cannot avoid being trivialized by being made common.

Decency cannot survive an order determined by sensationalism. Real life horrors compete for attention with their fictional counterparts. The collective imagination conflates and confuses them. In the end, it all must combine; beauty and ugliness, truth and fiction. In the historical memory they will be indistinguishable. In our minds they nearly are already.

So, what then? I propose no action, no change of course, no return, because these are impossible. There is no going back. It is only for us to gaze in wonder and hold on tight.